TATTOO FOR ALL: flowers

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Orphans

Call them what you will, what I will go with is “Orphans”.

I have a handful of posts that have lingered “on deck,” so to speak, that are, by themselves, sad little bits that were never completed, or, for whatever reason, didn’t pass muster with Tattoosday’s editorial board.

However, by packaging them together, I can cross them off my list once and for all, and move on. A Spring Cleaning, if you will.

So let’s get down to business:

Last March 25, I posted this New York’ish piece on Jonathan. A few days later, Jonathan got another tattoo and sent me a preliminary photo:

I asked him if he could send me a better photo of this pretty awesome owl tattoo. I asked again at the end of April, and again at the end of May. I followed up again in October, at which point Jonathan said he would send me a new photo soon.

Look, things happen, and I hardly see Tattoosday as the center of the universe. There comes a time, however, when I’m going to have to assume that it’s fallen by the wayside, and move on. This means, of course, that Jonathan will email me a crisper photo tomorrow.

At the end of last April, I ran into a guy named Nick on the West 4^th Street subway platform. I snapped this photos:

The reason I balked at posting this originally was because the piece is a cover-up of a cross, and the original tattoo is fairly visible in its new incarnation.

I was concerned that a stand-alone post would incur the wrath of the tattoo purists and the story that this was a memorial piece for Nick’s grandfather would be lost.

Thus, it ended up in Tattoosday’s home for Orphan Tattoos.

Thanks to Nick, nonetheless, for sharing it with us.

Also last April, I met a guy named Johnny in Penn Station. I noticed as I was passing by that he had script peeking out from under his shirt at the top of his chest and I handed him a flier and a card. In May, he sent me the following two photos and the accompanying description:

Hey Bill,

We met in Penn Station a couple of weeks ago. I finally got some pictures of a couple of my tattoos. Both of these were done by Krista at Empire Ink in Akron, OH.

The pin-up girl was drawn by my grandmother when she was 16 for my grandfather while they were dating. The other was an original design.

The Latin quote at the top of the heart is a quote from Julius Caesar. It translates to "From the bottom of my heart". Thanks for the interest in the tattoos and letting me share.
Johnny

Honestly, I don’t know why I didn’t post these originally. As time passed and the e-mail traveled to the bottom of my inbox, it became an out-of-sight, out-of-mind submission. Thanks to Johnny for sending these in originally, and for waiting so patiently to see them appear on the site.

At the end of June 2011, I met a woman named Christina in Penn Station, whose ink did make the site a couple months later, here. At the time, she was accompanied by two other people, one whose name was Damion. I took a picture of Damion’s tattoo, but it never made the site, until now. Part of the reason Damion’s work never went live was due to the fact that it is an unfinished work, an orphan in more ways than one. Here’s the shot.

Damion loves these wings, calling them his “prize possession”. Why are they unfinished? He credited the artist Carlos Alfonso at Rising Dragon Tattoo, formerly located under the Hotel Chelsea on 23^rd Street. But, Damion informed me, Carlos passed away. It’s not so easy to have another artist finish the work of a deceased tattooist. Damion’s not the only one who was so affected, as you might imagine. The story rang a bell with me, as I had also featured Carlos’ work in a 2009 post with the ink of performance poet Jackie Sheeler here.

A belated thanks to Damion for baring his back and showing off his wings in Penn Station!

As summer waned, I had a couple of unsuccessful encounters in September, in which the quality of the photos I took were substandard, and e-mails to the contributors went unanswered.

For example, Chris shared this cool octopus on his leg:

Can you tell it’s an octopus? There’s the issue. Chris’s leg hair and the glare of the sun renders this poor octopus almost invisible. It was inked by a Thai artist named Tong, working out of Tatudharma in Sydney, Australia. Chris was travelling and he “likes octopi,” recognizing that, “as far as invertebrates go, [they are] probably the most intelligent of them.”

In a weird twist of this orphan post, the Tatudharma web site indicates that the shop is closed permanently, a result of it having been firebombed last April. The artists can still be contacted through the website, however.

A couple weeks later, my camera was programmed on the wrong setting, so I ended up with these two washed-out shots of interesting tattoos:

The host of these pieces is Lindsey, a Southern Californian who had both tattoos inked in San Diego.

The plant was done about 8 or 9 years ago by an artist named Alethio.

“I had my boyfriend draw it,” she explained, “I told him I wanted a dictionary-style type of flower, so he kinda came up with a design, so it’s not an actual plant, it’s fictitious … I wanted something organic to be represented on me.”

The bird on her other arm was done by Gary at Ace Tattoo. “That was the beginning of a sleeve that never happened,” Lindsey said with a sigh.

Thanks to Chris and Lindsey for sharing their tattoos and for hopefully forgiving my camera for betraying them.

And last, but not least is this piece from December:

Jen acknowledged that it wasn’t done very well, but she said she had a good reason for getting it. I did send an email as a follow-up, but more than one reeks of desperation. Maybe one of these days Jen will find my card or flier and finally e-mail me back to explain what wanderlust means to her. Until then, we’re left with this orphan.

Believe it or not, we still have a few 2011 photos left in the tank, but this entry takes out a good chunk of our backlog. Thanks for giving these orphans a home, even if its just for a minute or two.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Wesley Shares Two Significant Blossoms

I met Wesley in Bay Ridge, Brooklyn, earlier this month, and she shared these two tattoos from her forearms:

These two flowers are (pictured from left to right) a Cherokee Rose, which is the state flower of Georgia, and a Nile, or Egyptian Lotus.

Wesley explained that the Cherokee Rose is generally white in color, but white flowers don't generally translate well to white skin. Fortunately, they can occasionally grow pink, so that's the shade she chose for the tattoo.

Wesley explained the whole process of these tattoos in detail:

"I was born in Macon, Georgia and my dad's from Georgia and the whole myth is that when the Cherokees were driven out ... by the white people, they cried ... The Trail of Tears ...and the flowers that sprang up where their tears [fell] were the Cherokee Rose. And [the flower on the left arm] is a Nile Lotus ... an Egyptian lotus, you see it a a lot on the sarcophagi ... Egyptian tombs, and it's about death and rebirth.... I got them ... in 2005 ...in Seattle by a guy ... Ian at Lucky Devil Tattoo in Capitol Hill, Seattle ... it was a year almost since I had been diagnosed and treated for cancer and it was sort of my celebration of 'I'm okay' and I had some whole elaborate - I was going to have insects on the inside of my wrist and flowers on the outside, and there was a possibility of a snake, there was a whole big thing and ... the great thing about this artist was that he was like, 'here, let me do a temporary version of what that would look like,' and I was like, 'that would look really cluttered and ridiculous' ... and I realized that I really wanted them to be something I could see and I was more attuned to the flowers ... I wanted something that was close to home from my past and then something that was from another culture from farther away - there's the birth thing and the death thing. Yeah."

Thanks to Wesley for sharing her beautiful tattoos with us here on Tattoosday!

Meghann's Ink Inspired by Nikki McClure

This past November, I met Meghann in Penn Station and spotted this tattoo on her arm:

Meghann explained that this work is based on a paper-cut by an artist from Olympia, Washington named Nikki McClure.

There's no real deep meaning behind this. Meghann is just appreciates the art for art's sake: "I just liked the design a lot. I really like [McClure's] work."

The tattoo was done by Sam Gosson at Oddball Studios in Portland, Oregon.

Thanks to Meghann for sharing this cool work with us here on Tattoosday!

Tattoorism: Naveed's Cobra

Occasionally we'll post a reader submission, referring to it as "tattoorism," as this is, for the most part, a New York City site. There are plenty of websites that cater solely to reader submissions but, I figure, once in a while, it's nice to see someone making the effort to send me a photo with a narrative.

The following submission comes from "across the pond":

This cool tattoo belongs to Naveed, who writes:

"I am 18 years old currently a student in the UK and I live in Bristol. I would like to submit a tattoo, I know you prefer to upload tattoos from people you've met but I am particularly proud of this tattoo as it is my third. It is a king cobra wrapped around a harp with jasmine flowers surrounding it. They are all national symbols of my ethnicities, the king cobra is the national snake of India, the jasmine flowers are the national flower of Pakistan and the harp is the national symbol of Ireland. It was done by Phil Webster at Tattoo House in Dewsbury."

I should note that Phil Webster is not on the Tattoo House website, but is currently be co-owner of Integrity Tattoo Lounge in Ossett, West Yorkshire. I was able to find a much crisper photo on his Facebook page, so I am reprinting it here for the sake of fully representing what a nice tattoo this is:

Thanks to Naveed for sending along this tattoo to us here on Tattoosday!

Jenn's Lily of the Valley

I stopped Jenn outside of Madison Square Garden when I noticed the cool floral tattoo wrapping around her right ankle onto her foot:

Jenn identified the artist only as Roland, at a shop in the Pacific Beach neighborhood of San Diego. "I had the idea for the design and he drew it," she explained. The flower depicted is a Lily of the Valley.

When I asked why she chose this flower, she elaborated:

"I'm not super religious, but there's a story that, whenever Mary cried after Jesus' death, a lily of the valley would grow. I happen to believe that, through tears and feelings, that it really brings a person to life."

Jenn is a therapist, and this expression of emotion leading to new life goes hand-in-hand with her vocation. The full context of the flower in a religious context can be read here.

Thanks to Jenn for sharing her lovely tattoo with us here on Tattoosday!

Repost: Michael's Mariachis

Well, it has been a repost sort of week, and as it is All Soul's Day, a.k.a. The Day of the Dead, this only seemed fitting. It's from my college friend, Michael, and it appeared here originally on December 30, 2008. Enjoy!

In reconnecting with old college friends through Facebook, my old friend Michael who I haven't seen in almost twenty years sent me an amazing tattoo he has on his right arm.

He sent me before and after shots so we can see the transformation from outline to spectacularly colorful body art. First, the before shots.....

The detail and the line work is exemplary and breath-taking. As someone with a guitar inked on my arm, I can appreciate the intricacies of a finely-drawn instrument. The detail on the mariachi's jacket cuff is incredible.

And now, for some color:

Michael explains the basic premise of this tattoo:

In a sense, this piece is a "memorial" tattoo, although I hate to call it that. Since I grew up in the Southwest, Day of the Dead was a regular thing, so I've always been drawn to that type of imagery, plus I like the meaning -- honoring the dead, and reminding us to live life to the fullest. I picked the mariachis partly because I am so into music, and partly because of the celebratory aspect of mariachis.

Like many intricate tattoos with multiple elements, every part has significance. The tulips, for example, that are growing at the mariachi's feet, "are an actual heirloom varietal that I have in the garden" [and] are for my wife -- tulips are her favorite flower".

And the angel at the top of the piece (and the top of the post)?

Michael informs us that "the angel is for my mother, who is no longer with us. The angel holds a purple iris (my mother's favorite flower), and looks down over the whole scene."

This amazing piece was inked by Susan Behney-Doyle who works out of Jinx Proof Tattoo in Washington, D.C. Mexican folk art is one of her specialties (see a gallery of her work here) and Michael says he "gave her a few reference pieces to look at, but she basically drew it after a consultation". He continues, "we made just a couple tweaks after I saw the drawing, but it's a one-of-a-kind custom piece".

The whole tattoo was crafted back in 2006 over a five-month, seven-session period. Michael notes that one of those sessions was devoted solely to shading the guitar. A closer look at the instrument reveals an incredible complexity of brown variations that truly makes the guitar jump off the skin.

Thanks again to Michael for sharing this amazing tattoo with us here on Tattoosday - twice!

Stu's Sleeve in Progress

One of the drawbacks of approaching folks in Penn Station as I pass through after work is that, if they're waiting for a train, and their platform is called, they're off to the races. Sometimes people reach out to me after I've met them, but other times I don't hear from them again.

Such was the case with Stu, who shared the top part of his sleeve-in-progress:

Stu was able to tell me that his artist is Richie Calascibett at Starlight Tattoo in Rochelle Park, New Jersey.

I particularly love the blue flower and the way that Richie tattooed the wind into the design.

Thanks to Stu for sharing this great tattoo with us here on Tattoosday!

Colleen Returns to Share Some Lovely Ink

I spotted a woman with some really great tattoos out on Penn Plaza and, after talking to her a brief moment, realized it was Colleen, who appeared on Tattoosday once before, back in 2009, as chronicled here.

Colleen shared two tattoos that grace her upper arms:

Colleen loves this tattoo and I can't say I blame her. As a Buddhist, she appreciates the symbolism of the lotus and the om on the skull. She explained:

"the lotus comes out of the mud at the bottom of the water and blooms out of that and that's ... birth. And the skull [represents] death."

The piece encompasses the cycle of life and death. She credits this wonderful work to Patrick Conlon at Graceland Brooklyn.

Colleen also has this work on her right arm:

Colleen explained that the dragon was there first, and then Patrick added the fire and pansies, to make it a much more beautiful tattoo.

Thanks to Colleen for sharing her tattoos with us (again) on Tattoosday!